Every pitched sound you hear is a stack of overtones sitting above a fundamental at whole-number multiples of its frequency. This calculator lists the first 16 harmonics of any note, gives their exact frequencies, and shows how far each one strays from the equal-tempered piano.
How it works
The harmonic series is defined by a single rule:
harmonic n = fundamental x n
So a 110 Hz fundamental (A2) produces 110, 220, 330, 440, 550 Hz and so on. The first harmonic is the fundamental itself.
Nearest note and cents deviation
To find the closest equal-tempered note the tool converts each harmonic frequency to a position on the chromatic scale relative to A4 = 440 Hz:
semitones from A4 = 12 x log2(freq / 440)
It rounds to the nearest semitone for the note name, then measures the leftover as cents:
cents = 100 x (exact semitones - rounded semitones)
A positive value means the harmonic is sharp of the piano note; negative means flat.
What the deviations tell you
Harmonics 1, 2, 4, 8, and 16 are pure octaves and land exactly on the note (0 cents). The 3rd and 6th (fifths) sit about +2 cents. The 5th (major third) is about -14 cents — noticeably flatter than the tempered third, which is why pure thirds sound sweeter. The 7th is about -31 cents and the 11th about +49 cents, both far enough from any key to sound exotic.
Worked example
For a fundamental of 220 Hz (A3), the 3rd harmonic is 660 Hz, nearest note E5, about +2 cents — a pure perfect fifth two octaves up. The 5th harmonic is 1100 Hz, nearest note C#6, about -14 cents — the natural major third. Stacking these pure ratios is the basis of just intonation.
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